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More Examples from the Same Piece or Opus Number:
More Examples from the Same Composer:
- Sonata in G Minor – Mvmt. 1, Allegro- Clara Schumann
- Piano Concerto in A Minor, Op.7 Mvt.2 – Clara Schumann
- Konzertsatz in F Minor (1847) – Clara Schumann
- Variations on a Theme of Robert Schumann, Op.20 Variation IV – Clara Schumann
- Variations on a Theme of Robert Schumann, Variation III – Clara Schumann
- Variations on a Theme of Robert Schumann, Variation II – Clara Schumann
- Variations on a Theme of Robert Schumann, Variation I – Clara Schumann
- Variations on a Theme of Robert Schumann, Op.20 Theme – Clara Schumann
- Variations on a Theme of Robert Schumann, Op.20 mm.1-8 – Clara Schumann
- Variations on a Theme of Robert Schumann, Op.20 – Clara Schumann
- Prelude Op.16 No.3, mm.37-52 – Clara Schumann
- Liebst du um Schönheit, Op.12 No.4, mm.1-10 – Clara Schumann
- Liebst du um Schönheit, Op.12 No.4, complete – Clara Schumann
- Easy Preludes for Students, No.1 – Clara Schumann
- Fugue Op.16 No.3 – Clara Schumann
- Prelude Op.16 No.3 – Clara Schumann
- Fugue Op.16 No.2 – Clara Schumann
- Prelude Op.16 No.2 – Clara Schumann
- Fugue Op.16 No.1 – Clara Schumann
- Prelude Op.16 No.1 – Clara Schumann
- Scherzo No.2, Op.14 in C Minor – Clara Schumann
- Die Stille Lotosblume Op.13 No.6 – Clara Schumann
- Die Stille Lotosblume Op.13 No.6, mm.1-18 – Clara Schumann
- Sie liebten sich Beide, Op.13 No.2 mm.10-15 – Clara Schumann
- Sie liebten sich beide, Op.13 No.2 mm.1-4 – Clara Schumann
- Ich hab in deinem Auge Op.13 No.5, mm.1-12 – Clara Schumann
- Sie liebten sich Beide, Op.12 No.2 complete – Clara Schumann
- Ich hab’ in Deinem Auge Op.13 No.5, mm.21-28 – Clara Schumann
- Ich hab’ in Deinem Auge, Op.13 No.5 complete – Clara Schumann
- Ich stand in Dunklen Träumen , Op.13 No.1 – Clara Schumann
Concepts Covered:
6/3 Chords
6/4 Chords
Applied Chords / Secondary Dominants
Cadential 6/4
Homorhythmic
Inversions of V7
Major
PAC - Perfect Authentic Cadence
Phrase
Phrase Model
Predominant
Tonic & Dominant
vi/VI Submediant
vii°6 and vii°7
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